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��ࡱ�>��	-0����()*+,���������������������������������������������������������������������������������������������������������������������������������������������������������������������������������������������������������������������������������������������������������������������������������������������������������������������������������������������������������������������������������������������������������������������������������_�	��&lbjbj	4nbb+�2�������00������������8�����2�`:�������-2/2/2/2/2/2/2$�4�h7<S29������S2������2����v����-2��-2���m+h�,������ڠW�������0�+2�20�2�+��7GX�7 �,�7��,p��������S2S2�����2�������������������������������������������������������������������������7���������0 P:	0Leveraging Cultural Tourism for Tourism Growth in Northern Zimbabwe

Woyo Erisher , Halimani Hlulani Obert and Bvocho Godhi
Abstract
This study presented results of an exploratory study carried out to learn how cultural tourism can be leveraged in Northern Zimbabwe. Cultural and heritage tourism represent a major area of growth in the special interest tourism market in Zimbabwe and cultural tourism assets include museums, art galleries, historic theme parks, and heritage sites and arts festivals. However, despite the tourist popularity of visiting heritage sites and participating in cultural activities, relatively little detailed attention has been given to the cultural and heritage tourism phenomenon in Zimbabwe. The paper provides an overview of the field of cultural and heritage tourism by considering how this segment of tourism can be leveraged by players in the tourism industry, market characteristics of the cultural tourism sector, strategies for marketing cultural tourism and a discussion of key management issues relating to the development of cultural tourism. The travel industry is increasingly recognizing the significance of cultural and heritage resources and their marketability. To maximize the long term benefits of cultural and heritage tourism, however, attention needs to be given to developing effective management strategies which will ensure the conservation and appropriate use of irreplaceable cultural and heritage resources.
Key Words: Cultural and heritage tourism, heritage sites, Northern Zimbabwe
Introduction
Tourism is one of the major foreign exchange earners and the main growth sector for many countries especially developing countries that are rich in natural and cultural resources.  The World Tourism market has grown at an average of 3.7% over the past five years and is projected to grow by an average of 4.9% over the next five years, with Asia and the Pacific regions recording the fastest growth rate (UNWTO, 2012).  The tourism industry remains the fastest growing service industry in the economies of most developing countries including Zimbabwe; hence more research has gone into the operations of the sector in order to examine its economic significance and potential. Tourism industry provides the impetus to growth in other sectors of the economy such as agriculture, transportation, retailing and manufacturing, and is therefore seen as a key ingredient for the economic development of a nation. 
To get a feel on the impact of tourism development, one has to be firmly founded in concrete data statistics; and tourism on the global scale has some impressive figures.  According to UNWTO in 2012, a record one billion tourists crossed international boundaries while another five to six billion are estimated to travel within their own countries (UNWTO, 2012). The same source claims that tourism generate 9% of the world�s GDP; 1 out of every 12 jobs in the world is a tourism related job; it generated US$ 1.2 trillion and signifies 6% of the world�s trade for 2012.
Tourism was among the fastest growing sectors of the Zimbabwean economy contributing significantly to the country�s Gross Domestic Product (GDP) during the period 1980 to 1998. Tourism industry in Zimbabwe has got the potential for growth and the industry currently employs approximately 300 000 people directly and indirectly (ZTA, 2013). 404 282 tourist arrivals were recorded in the first quarter of 2013 (ZTA, 2013). ZTA (2013) claimed that this growth in tourist arrivals is a clear witness of the country�s improved destination image, resuming competitiveness in the Southern Africa region.  Fig 1 below shows the growth potential of the tourism industry in terms of tourist arrivals.

The Ministry of Finance through its Short Term Emergency Recovery Programme (STERP) identified as economic recovery platform with tourism being one of the key economic drivers with potential to contribute to Zimbabwe�s turnaround (STERP, 2009). The inclusive government of Zimbabwe which was formed in February 2009 has also brought about confidence in destination Zimbabwe (STERP, 2009). 
There is little doubt that culture is an important part of the tourism product and is one of the factors that can improve the competitiveness of Zimbabwe as a tourism destination.  For this study, cultural tourism covers all aspects of travel where visitors can learn about another area�s history and the way of life. Thus, cultural factors in the context of tourism include entertainment, food, drink, hospitality, architecture, and manufactured and hand crafted products of a destination and all other characteristics of a destination�s way of life (McIntosh and Goeldner, 1990). The objective of this paper is to examine how Zimbabwe as a tourism destination can leverage cultural tourism for tourism growth. 
Background of the Study
Many research studies have suggested that a substantial percentage of tourists seek cultural experiences, such as visiting attractions and participating in a wide range of cultural activities that are not sun, sand and sea related. The World Tourism Organisation (WTO) suggested that more than 40% of all international visitors are cultural tourists (Richards, 2000). It also goes without saying that two thirds of U.S. adults visit a cultural or heritage site or attraction when they travel (Silberberg, 1995). Based on this data, researchers such as Mckercher and du Cros (2003) argued that cultural tourists represent a new type of mass tourist who seeks meaningful travel experiences. 

The world�s leading category of international trade, tourism, is increasingly offering a range of cultural heritage products, from visiting monuments to discovering unique ways of life as supply for increasing cultural and heritage tourism demand. United Nations Educational, Scientific and Cultural Organisation (UNESCO) define cultural tourism as �to create a discerning type of tourism that takes account of other people�s cultures� (UNESCO, 1999). It is well known that culture and heritage tourism has been gaining importance recently not only for its economic gains but due to more sustainable approaches it takes than other forms of tourism. As economies go through difficult times of change, it may seem appropriate for Zimbabwe to seriously consider cultural tourism as an option and help its local communities in terms of economical gains. Thus the purpose of this paper seeks to explain and explore the link that exists between cultural heritage tourism and tourism growth. 

In destinations where tourism is an important component of the economic base, public sector policy makers and local tourism development agencies are finding it increasingly important to expand their potential visitor pool by developing and promoting activities that appeal to previously untapped segments of the tourism market (McHone and Rungeling, 1999). This is particularly the case for maturing destinations that seek to rejuvenate or reposition themselves in the tourism market. This study aims to provide an overview of the field of cultural and heritage tourism by considering how this segment of tourism can be leveraged in Zimbabwe. It is also the objective of this paper to describe the market characteristics of the cultural tourism sector, and deliberate on the strategies for marketing cultural tourism. A discussion of key management issues relating to the development of cultural tourism in Zimbabwe also forms the basis of this paper.

Cultural and heritage tourism is a tool of economic development that achieves growth through attracting visitors from outside the community, who are motivated wholly or in part by interest in the historical, artistic, scientific or lifestyle/heritage offerings of community, region, group or institution (Silberberg, 1995).  This kind of travel is focussed upon experiencing cultural environments in the destination and this includes landscapes, visual and performing arts and special lifestyles, values, traditions and events (Silberberg, 1995).  Thus cultural and heritage tourism is not only a major industry in many destinations around the world but also a support for national identity and a means for preserving heritage.

Tourism is widely recognised for its tangible outcomes such as job creation, tax revenues as well as its less tangible outcomes such as quality of life. It can be noted tourism around most destinations that tourism is built around a variety of attractions, including agri-tourism, arts tourism, cultural and heritage tourism, destination tourism, fairs, carnivals, events and conferences, sports tourism, and recreation. UNWTO (2007) notes that international tourism is the world�s largest export earner and the most important factor in the balance of payments in most nations in the world. The main focus of this study is to explain how Zimbabwe can use cultural resources at its disposal in attracting visitors and ultimately improve the balance of payment position via tourism growth.

Cultural and heritage tourism has become a major source of revenue for many communities and destinations across the globe. Not only does it create jobs, but it has the potential of bringing in the needed revenue from outside the community and stimulating the local economy beyond the capacity of its own residents. Many developing countries have managed to increase their participation in the global economy through the development of international tourism. Tourism development has been increasingly been viewed by many national governments as an important tool in promoting economic growth, alleviating poverty, and advancing food security. This paper aims to explain how cultural tourism can be leveraged for tourism growth in Zimbabwe. Numerous studies have demonstrated that tourism can play a significant role in balanced sustainable development, and that it can be effectively harnessed to generate net benefits for the poor (UNWTO, 2002). Tourism comprises a significant part of the world�s growing service sector; in sub-Saharan Africa, tourism accounts for approximately 55% of service sector exports (UNWTO, 2012).

In recent years particularly at the dawn of the millennium, Zimbabwe�s tourism industry has been experiencing problems of poor performance and a decrease in the number of international tourist arrivals (ZTA, 2011).  Much publicity has been given to Zimbabwe�s �Big Five Attractions and World of Wonders� and in this regard not much is known in overseas tourism markets concerning Zimbabwe�s diverse tourism attractions, especially the country�s diverse cultural attractions. Zimbabwe has a unique heritage that defines the spirit of its people, its community, its landscape and its distinct cultural identity. Thus, such heritage assets could clearly provide the for cultural tourism development for tourism growth.

It must be noted that the demands of such dynamic growth in tourism destinations and the search for competitive advantage in a developing tourism market will conflict. The unsophisticated lifestyle of traditional rural peoples will need to be carefully balanced against tourist intrusion. Cultural heritage may well be seen by some commercial sectors as a strategy to conjure with and manipulate, without the sensitivity needed to conserve, protect and sustain it for future generations (Wall, 1999). The challenge is to capture the uniqueness that is in Zimbabwe in terms of culture and heritage and effectively present it as a properly managed resource for the purposes of tourism growth. Indeed the challenge for tourism planners in Zimbabwe is to take a holistic view of the cultural heritage infrastructure with projects that include a framework of decision making of the highest order.

In recent years in Western countries, there has been an extraordinary interest in all forms of cultural heritage (Middleton, 1996), so much so that it is now recognised that heritage assets and tourism are increasingly the basis for economic prosperity (Fladmark, 1994). Heritage Centres are just one type of successful cultural tourism attraction in the UK. They present heritage within a local dimension and in many instances have played an effective role in gaining economic prosperity for local communities in the UK (Fladmark, 1994). Importantly, the creation of Heritage Centres across the UK has preserved, conserved and sustained a rich diversity of local culture, artefacts, buildings and historic sites that might otherwise have been lost. In most African states including Zimbabwe such initiatives are not particularly developed.
Literature Review
The contribution of tourism to economic development has been well documented in the literature. For many developing countries which have traditionally dependent upon primary products in export earnings, tourism has become a major source of foreign exchange earnings. There have been several recent empirical studies which explored the relationship between tourism and economic growth but not much has been said on between cultural tourism and tourism growth. Many of the public focus on cultural and heritage tourism in  Zimbabwe has been on buildings and sites, while cultural and heritage tourism may include tangible aspects, such as buildings, memorials and landscapes, there is an increasing recognition that it also includes the intangible such as cultural practices, oral traditions, events, music, cuisine and knowledge (McKercher and du Cross, 2002)
The heritage and cultural tourism literature has proliferated in the last decade (Aluza et al, 1998). Theoretical issues and discussions of major issues such as the role of heritage and culture in postmodern society, cultural/heritage markets and artistic manifestations, planning, interpretation, community involvement and/or authenticity are well represented within existing literature. However, it goes without saying that with the exception of some pioneering work by Prohaska (1995) and Silberberg (1995), there is still little quantitative information on cultural and heritage tourists. From a global perspective, relatively little is known of cultural tourism being leveraged for tourism growth and not much attempt has been done to profile cultural tourist�s characteristics and benefits pursued in travel activities or expectations. Many scholars and researchers such as Light and Prentice, (1994) and Richards, (1996, 2006) have on a number of times in their researches asserted the need to know the demands of cultural tourists and not really much has been done to ascertain how such a niche market can be used to leverage tourism growth.  The knowledge of the characteristics of cultural tourists will definitely contribute to generating improved managerial and marketing strategies to better target existing cultural and heritage market niches.
Overview of Cultural and Heritage Tourism
The term cultural and heritage tourism refers to that segment of the tourism industry that places emphasis on cultural and heritage attractions. These attractions are varied and include performances, museums, displays, archaeological sites among others. In developed areas, cultural and heritage attractions include art museums, plays, and orchestral and other musical performances. Tourists may travel to specific sites to see a famous museum or to hear a special musical performance. In less developed tourist destinations, cultural and heritage attractions may include traditional religious practices, handicrafts, and cultural performances. 

There has been significant lack of consensus on what constitutes tourism and thus, the word tourism has can therefore be defined in various meanings.  The term �cultural tourism� and �cultural tourists� are widely used, but very much often misunderstood in their context. The definition of cultural tourism, just like the word tourism, relatively remains a blurred concept and term in academic research (Aluza, O�Leary, and Morrison, 1998).  However, academia, practitioners and policy makers have been quick to mention and identify cultural tourism as a significant and growing market, but have been too hesitant or rather unable to describe and define the market. WTO (2000)  cited in Richards (2000) defined cultural tourism as the lifeblood of tourism and thus it can be noted that people travel not just to relax and recreate but to satisfy their need for diversity and their curiosity on how other people live in environments different from their own. It is generally agreed that other people�s lifestyle are expressed through their religion; festival; costumes; cuisine; arts; and crafts; architecture; music and dance; folklore and literature (Richards, 2000). Thus, these cultural manifestations will always differentiate one group of people from another and makes life colourful and interesting.  Cultural tourism differs from recreational tourism in that it seeks to gain an understanding or appreciation of the nature of the place being visited. 
Classification of Cultural Tourists
There is consensus among scholars in the domain of cultural tourism that cultural tourism has grown in importance and complexity (Grunewald 2002), has become a major goal for millions of leisure tourists (du Cross 2001), and represents substantial economic activity at the regional level (McHone and Rungeling 1999). While generic figures have been circulated about the size and presumed importance of cultural tourism, little is known about the various types of cultural tourists that might exist and how the ways in which they engage in cultural experiences might vary. Consequently, these factors are rarely considered in terms of destination image and destination marketing. It also goes without saying that little accord and attention has been given with regards to how the perceived image of the destination might influence the types of cultural activities that are cultivated and promoted, the degree to which tourists are engaged in the activities. Early attempts at identifying cultural tourism markets used the strength of an individual�s motivation to participate in cultural activities as a segmentation variable (Silberberg, 1995). 

While cultural tourism may make important economic contributions to a destination or region that supports it (Walle, 1996), it also has the potential to foster positive sociocultural outcomes (Bushell and Jafari, 1996). To achieve these outcomes, all tourism development must be acceptable to, and be of benefit to its stakeholders. It also goes without saying that any plans and motives to develop cultural tourism must recognise that cultural resources belong to host communities and their expectations should be central in any tourism equation. It is imperative to consider the degree to which local residents will utilise, and benefit, from the additional facilities and activities created through tourism development.

Categories of cultural tourist attractions and activities
European Centre for Traditional and Regional Cultures (ECTARC) identified a typical list of the type of sites or attractions which are considered to attract cultural tourist:
Archaeological sites and museums
Architecture (ruins, famous buildings, whole towns)
Art, sculpture, crafts, galleries, festivals, events
Music and dance (classical, folk, contemporary)
Drama (theatre, films, dramatists)
Language and literature study, tours, events
Religious festivals, pilgrimages
Complete (folk or primitive) cultures and subcultures (Richards, 1996)
Major types of cultural attractions based on man�s activities include those described by Inskeep (1991). Many studies have suggested that a substantial percentage of tourists seek cultural experiences such as visiting cultural attractions and participating in diverse cultural activities that are not sun, sand and sea (Richards, 1996). Thus, a cultural tourist therefore represents a new type of mass tourist who seeks meaningful travel experiences (Mckercher and Du Cros, 2003). There is little doubt that culture is an important part of the tourism product and is one of the factors that can improve competitiveness of a tourism destination Zimbabwe.  An examination of the influences shaping the cultural and heritage product will help identify the reasons why cultural tourism is critical at destinations (McIntosh and Goeldner, 1990)
The Context of Cultural and Heritage Tourism
The cultural and tourism industries are among the fastest growing sectors of the world�s economy (Boylan, 1995) and may be the single biggest foreign exchange earner for some countries and Zimbabwe could be one of the countries. The growth in cultural based tourism has been largely fuelled by the post second world war explosion in mass tourism compounded with a general increase in leisure time and mobility of travellers, and thus resulting in the emergence of an industry which is generally driven by often conflicting demands, of economics and cultural development.

The importance of cultural and heritage tourism cannot be overemphasised as governments have enthusiastically embrace the economic and social potential for cultural tourism across the globe.  In leading tourism destinations such as the United Kingdom and the United States of America, limits are already reached and competition for visitors is intense. In the UK alone one third of all cultural attractions in existence have come into being since 1979, (Herbert, 1995) and at one point a new museum was opening every fortnight (Brisbane and Wood, 1996).  The result is a surfeit of cultural tourism offerings vying alongside a diverse range of attractions from theme parks to shopping malls for the customer�s leisure pound. Thus, in such a highly competitive marketplace it becomes imperative for this study to focus on how to leverage cultural tourism for tourism growth in Zimbabwe and the focus must be directed on the needs of visitors in order to develop cultural tourism attractions and sites which are not only viable in the present but are also sustainable in the long term.

McManus (1999) noted that apart from the economic attractions of cultural tourism, the recent interest in lifelong learning is cited as a key element favouring the growth of cultural tourism.  Both national and international visitors are increasingly viewing cultural tourism as part of a wider educational experience, facilitated by growing levels of disposable income, a lower retirement age and better levels of health amongst older age groups.

It also goes without saying that there are compelling political arguments too for the development of cultural tourism. The development of cultural tourism strategy in most tourism destinations has been closely linked to the establishment of national identity. The 1980 Manila Declaration of the World Tourism Conference expressed the hope that �tourism may contribute to a large extent to protecting and developing � cultural heritage� tourism brings people closer together and creates an awareness of the diversity of ways of life, traditions and aspirations�. Tourism can serve then to emphasise unique place identities, thereby celebrating cultural diversity. Conversely, it can contribute to a standardised perception of place, creating homogeneous cityscapes which are reassuring to visitors seeking a tourism experience which conforms more closely to their preconceived ideas and prior experiences (Ashworth, 1995). Paradoxically, Zimbabwe is well placed to capitalise on both of these possibilities. The diverse range of local and tribal cultures provide opportunities for a rich and unique celebration of divergence and differentiation; at the same time the Government of Zimbabwe (GoZ) through the Ministry of Tourism and Hospitality Industry (MTHI) may also seek to emphasise the homogeneity of Zimbabwean culture in order to contribute to the crafting of clear and distinctive national identity.

Concomitant with a desire to craft national identity is the political imperative for wider social inclusion. Cultural tourism provides a useful vehicle for this since it offers the opportunity to use a variety of cultural forms and issues which may not reflect the dominant class, ethnic culture or indeed the dominant ideologies of the past or the present. Beyond the development of appropriate attractions that reflect greater social inclusion, there are opportunities to staff attractions with and encourage local visits from under-represented social groups. At the very least this may provide a forum for debate and at best may provide a real opportunity for greater social cohesion.
The Cultural Tourism Product
The key to leverage cultural tourism and develop it for tourism growth is to have a critical understanding of what constitute the nature of a cultural tourism experience.  Cultural tourism may be perceived as exhibiting two core dimensions: contemporary creativity on the one hand and a heritage dimension, which incorporates notions of the past embodied in monuments, landscapes, historic buildings, sites and artefacts. Thus, the tendency for society to focus on the notions of heritage rather than contemporary creativity and cultural innovation during periods of rapid change are well researched and documented (Fowler, 1990; Hewison, 1987). In Zimbabwe there is need to shift the tendency of focusing on the notions of heritage and move into contemporary creativity and cultural innovation as an attempt to develop a sustainable cultural tourism product. The review of literature shows that museums and monuments shows in Zimbabwe are yet to embrace cultural innovation.
Tourist�s Choice to Cultural Tourism
In the past, natural scenery was the most attractive to the tourist than the cultural component of travel (Goeldner, McIntosh, and Ritchie, 2000). It goes without mentioning that the tourist has changed and is changing as today�s traveller is generally well educated, informed and in search of new ideas and fulfilling adventures. Cultural tourism is travel which is composed of knowledge based experiences, exploring the unique history and character of the tourism destination; the discovering and exploring what makes a destination unique (Goeldner, et al, 2000).  Given its broad sphere of activity and intercontinental appeal, cultural and heritage tourism has developed to become a momentous occurrence in the tourism and travel industry (Ritzer, 1999; Urry, 2001). Thus, it can be noted that cultural tourism can be used as a marketing and development tool ion in a wide range of situations to further a wide variety of tourism policy goals in developing nations and tourism destinations such as Zimbabwe.  It therefore becomes imperative for this paper to explore and identify ways that can be used in Zimbabwe to leverage and develop cultural tourism for tourism growth. 

Cultural tourism is quite an important part of the economy in that it can be used as a vehicle for economic development or renaissance (Richards, 2001). There is an extensive literature that explains why cultural tourism has been placed at the centre of many urban renaissance strategies because it can provide the basis to reanimate city centres, revivify existing cultural facilities, generate new cultural centres, make cities stand out from other areas and change images (Herrero, Sanz, Devesa, Bedate and Del Barrio, 2006).  Thus, as given by Herrero, et al, (2006), there is a real need for destinations like Zimbabwe to leverage and develop cultural tourism in an attempt to enjoy the advantages that comes with such a tourism market.

A further advantage is that the relationship between culture and tourism is widely regarded as reciprocally advantageous. It is alleged that, for instance, cultural tourism generates additional revenue streams for both and, as a consequence, sustains and enhances cultural resources that otherwise might disappear (Hughes, 2002). Similarly cultural tourists have themselves been regarded favourably as, for instance, being typically well educated, affluent and broadly travelled, and they generally represent a highly desirable type of a posh visitor (Holcomb, 1999). Kapodini-Dimitradi (1999) also argued that cultural tourism is seen by many policy makers as a means of developing quality tourism and attracting high-spending consumers. In addition to all these benefits, Horrigan (2009) and Mohammed (2008) also maintained that the advantage for developing cultural tourism is for spreading tourism both spatially and temporally, because it is relatively independent of the seasons, and like other forms of special-interest tourism it can prompt people to visit areas off the well-beaten tourist paths. Thus, it becomes imperative for Zimbabwe to develop and leverage cultural tourism in an attempt to increase revenue, sustain cultural resources among other various motives.
 
However, cultural tourism can be a double-edged sword - it can certainly stimulate a growth in tourism to particular regions, but the growing number of destinations trying to develop cultural tourism means that competition for the cultural tourists will get even stronger, and in some areas average attraction attendances are falling (Sdrali and Chazapi, 2007). It also needs to be recognized that the cultural tourism market is becoming increasing competitive, and cultural attractions must fight for a share of the tourism market, not only with other cultural attractions, but with other tourist attractions as well (Richards, 1996). It must be noted with concern that, as more cities and regions compete in (re)producing and promoting themselves for tourism and culture employing the same formulaic systems, their ability to create �uniqueness� arguably diminishes (Richards and Wilson, 2006).
Research Objectives
This research provides an overview of the issues and opportunities for the development of cultural and heritage tourism in Zimbabwe. It identifies the key factors associated with successful cultural heritage tourism operations, highlights the gaps in existing knowledge and understandings, provides engaging case studies and also flags opportunities for further investment and investigation in this field of work.
Research Methodology
This study attempted to examine what needs to be done in an attempt to effectively leverage cultural tourism for tourism growth in Zimbabwe. The study followed a case study and used cultural and heritage attractions in Northern Zimbabwe as delimited by the National Museums and Monuments of Zimbabwe. 429 questionnaires were administered to tourists who visited the cultural and heritage attractions in Northern Zimbabwe.
 Participants were asked about the potential of cultural tourism in Northern Zimbabwe including the impacts of cultural tourism development on tourism growth, society and other aspects of community management including their participation. Secondary data was also crucial in the research for forming the background of the research and creating a framework for conducting other qualitative methods. Secondary data was extracted from the visitorship statistics that were availed by the Zimbabwe Museum of Human Sciences. 
The target of population of this survey was the international and regional tourists. The main purpose of the survey was to assess the level of demand for cultural tourism in Zimbabwe and an attempt to identify detailed characteristics of the tourists was also made.  The population of interest to the researcher in this study survey was the actual visitors to the cultural and heritage destinations in Northern Zimbabwe. 
Discussion of the Findings
The research findings are presented in four parts. The first one illustrates the description of the sample, which are demographics and the source destinations of the tourists. The second part presents the sites that participated in this study while the third section of the findings provides the reasons for visiting cultural and heritage places in Zimbabwe. The last section of the findings discusses the viability of cultural tourism as a tool for tourism growth in Northern Zimbabwe. 

Description of the Sample
The response rate to the questionnaires administered to cultural tourists in various sites around in Northern Zimbabwe was 100% as the 429 of the 429 questionnaires were returned to the researcher with usable responses. Respondents to this study were asked to provide certain personal and biographic data such as their gender and their region of origin. The majority of the participants to this research survey were female, and they constituted 69.93% of the respondents in this study. 85% of respondents were tourists from the African continent, followed by Europe 5%, Asia 3%, and Americas 3%. Respondents from the Oceania and Middle East regions were 2% each.

Sites that participated in the Study
The researcher tried to select the prime destinations in the Northern part of Zimbabwe. Table 1 below shows the cultural and heritage sites that participated in this study.
Table 1 Cultural Sites were research was Conducted
Cultural and Heritage Sites Frequency Percent Zimbabwe Museum of Human Sciences 10023.3%Chiremba Balancing Rocks 12028.0%Ngomakurira Monument  307%Tsindi Ruins   204.7%Domboshava National Monument15035%Mutoko Ruins 9         2% Total429100%
Domboshava National Monument located 35km away from Harare along the all weather Borrowdale Road was found to be the most popular heritage site in Northern Zimbabwe as the researchers were able to distribute 150 questionnaires to international tourists. The results obtaining from this study showed that Chiremba Balancing Rocks is a popular destination for the special interest visitors as 120 questionnaires were distributed to international and regional tourists at the site. Other places of cultural and heritage significance that participated in this study include the Zimbabwe Museum of Human Sciences  (formerly Queen Victoria Museum) in Harare, Ngomakurira Monument in Goromonzi District, Tsindi Ruins near Marondera, and Mutoko ruins in Mutoko district respectively. 
Reasons for Visiting Cultural and Heritage places
In an attempt to discuss whether cultural tourism is a viable option in helping the tourism industry in Northern Zimbabwe to grow, there was need to identify the reasons and motivations of why people visit cultural and heritage places in Northern Zimbabwe. Table 2 below shows and explains the reasons why cultural international and regional tourists visits heritage places in Zimbabwe.
 Table 2 Reasons for visiting cultural and heritage places in Zimbabwe
Reasons for visiting cultural and heritage places in Zimbabwe ResponsesNPercent Artist/professional in industry 71.63%Specifically wanted to visit that area112.56%Visited only because friends/relatives visited 92.1%Cultural site was part of the tour package  71.63%A break from the normal routine61.4%To make new friends 102.33%Site provided an educational experience102.33%To experience something new8018.65%Just wanted something to do in culture12128.21%Image of the site/attraction 4310.02%For rest and relaxation163.73%Something to tell my friends/relatives about245.60%To experience something authentic337.70%Interested in history 122.3%Other influences 409.32%429 100%
The group of respondents as shown in the table above indicated the reasons for visiting cultural and heritage sites in Northern Zimbabwe in their holidays. It was noted that the most frequent responses that influenced visits to cultural and heritage sites by both international and regional tourists in this study were: for the purposes of resting and relaxation, interested in history, just wanted to do something with cultural sites that provide educational experience. These findings revealed that there is a real need to leverage the development of cultural tourism for the purposes of growing tourism in Zimbabwe. It also goes without mentioning that the findings obtaining from this study shows that the respondents who were the tourists always make conscious decisions in visiting heritage and cultural places in Zimbabwe and the motivations of the cultural tourists as indicated in this study are clear and they really know what they are looking for in terms of culture. 
Viability of Cultural Tourism as a tool for Tourism Growth 
The study�s objective was to find out if cultural tourism can be used as a tool for the purposes of growing tourism in Zimbabwe. Thus, in an attempt to measure this, a question was posed to the respondents on whether they would visit cultural and heritage places when they go on holiday in the future. Table 3 below shows the findings obtaining from this study with regards to the viability of cultural tourism as a means for tourism growth in Zimbabwe.

Table 3: Viability of Cultural Tourism in terms of Visitorship
If you would go on holiday once again in Zimbabwe, will you visit cultural sites?FrequencyPercentValid PercentCumulative PercentValidYes37587.4%87.4%87.4%No 5412.6%12.6%100.0%Total429100.0%100.0%The findings from this study showed that the level of interest in Zimbabwean cultural tourism is very high because given a chance, 87.4% of the respondents mentioned that if they are to go on holiday again, they will visit a cultural and heritage site in Zimbabwe. Overall, respondents expressed fairly high levels of interest in participating in Zimbabwean cultural tourism when visiting the country as a destination.  Only 12.6% of the respondents indicated that they were not interested in visiting the cultural and heritage places in Zimbabwe. Thus, it can be noted that cultural tourism development is needed in an attempt to effectively leverage the option as a viable diversification strategy for tourism growth. It also goes without saying that female visitors also indicated some good level of interest in terms of Zimbabwe�s cultural and heritage tourism products. It must be noted that European visitors appeared to rate their interest more highly than other categories of visitors, however the difference was not large enough to be statistically significant. 
Analysis of secondary data from the Zimbabwe Museum of Human sciences showed that most visitors to Zimbabwean heritage and cultural shrines was to watch mostly traditional craft being made; learn about spirituality and sacredness of shrines, watching dances, and other cultural centres. 






Table 4: Cultural and Heritage Attractions in Northern Zimbabwe
Cultural and Heritage Attractions in Zimbabwe Archaeological Sites and MuseumsArchitecture including ruins, famous buildingsArt Sculpture    Crafts GalleriesMusic and Dance DramaTours Language and Literature Festivals Events  Analysis of secondary data showed that Zimbabwe has got the potential to leverage and develop cultural tourism into a well defined product for the purposes of tourism growth. Table 4 above indicates that Zimbabwe is well poised to leverage cultural tourism as an alternative for tourism growth.  Zimbabwe has got a number of sites and attractions which have a significant potential to attract international and regional cultural tourists. The archaeological assets that have the potential to attract both regional and international visitors include archaeological sites and museums such as the Domboshava National Monument, Ngomakurira Monuments. It was however, found that only one major museum is in Northern Zimbabwe and there is need for developing other contemporary museums for the purposes of attracting more cultural visitors given that the existing museum is a static one. 
There are a number of famous buildings are in Harare and these including the Market Square Hall, Mai Musodzi Hall, and Stodart Hall among other historical buildings. Analysis of secondary data however, showed that not much has been done to leverage such national buildings for the purposes of tourism growth. An attempt has been made to develop township tourism but more can be done in harnessing these famous buildings and attract a number of special interest tourists thereby growing tourism in Zimbabwe. 
Harare hosts an annual event called the Harare International Festival of the Arts (HIFA) which has over the years attracted thousands of international tourists. More recently the inaugural International Carnival which was held in Harare in May 2013 also attracted thousands of participants from Germany, Australia, Egypt, Angola, South Africa and China (ZTA, 2013). This explains that cultural tourism in Northern Zimbabwe has got the potential of making tourism grow to heights recorded in other destinations such as Europe and the Americas regions. However, the findings obtaining in this study showed that there is no contemporary music and dance which also needs to be developed and harnessed for the purposes of tourism growth emanating from cultural tourism.
Conclusions and Recommendations
The general interest in cultural and heritage tourism experiences in Zimbabwe is very high and thus it can be concluded that that if it is high in the Northern part of Zimbabwe, can also be high across the country. Majority of respondents stated that they are interested in Zimbabwean cultural experiences on their current trip and this gives enough reason to ensure a sustainable development of cultural tourism in Zimbabwe for the purposes of tourism growth. 
Most foreign travellers who participated in the study expressed greater interest in cultural and heritage experiences. It was noted that culture and heritage was important in their decision to visit Zimbabwe and others indicated that they searched for information on Zimbabwe�s cultural and heritage shrines and attractions prior to arrival in Zimbabwe and they were willing to pay high prices for such activities especially multi day experiences. It was also noted from this research study that those who have visited Zimbabwe for the purposes of cultural tourism are likely to do so in the future for the same reasons. it can therefore be concluded that Zimbabwe has got the cultural resources needed to grow cultural tourists and ultimately tourism growth.

This research indicates that cultural tourism has got the potential to grow tourism to level that is relatively high.  There is need to ensure the cultural policy that has been developed by the Ministry of Education is used and boost the potential of developing cultural tourism for tourism growth.  Thus, it will therefore become mandatory for the MHTI to come up with strategies that support the existing cultural policy in Zimbabwe for the purposes of diversifying the tourism industry and this will also help in the reconstruction of our battered external image of Zimbabwe as a tourism destination. New investment in inner city arts and cultural projects must not be overemphasised as the aim here is to attract new investment and generate physical and environmental renewal that is very much needed in terms of sustainable tourism growth.

The effectiveness of using cultural tourism as a tool for tourism growth depends on the context in which such a policy is pursued (Richards, 2001).  Harare for instance has got  real cultural capital  and with this kind of arrangement it can produce considerable economic benefit from existing facilities such as the Mai Musodzi Hall, Galleries and Museums for instance through development of cultural tourism. And it must be noted that economic benefits will be cumulative over time and this will effectively help Zimbabwe in boosting tourism growth. In areas where there are no existing cultural base will there require a strategy of investing in new cultural attractions and events such that they events and cultural facilities will generate lasting tourism benefits to the society and the economy of Zimbabwe. Such investments will then be exploited by the tourism and culture industries much more effectively. 
The guiding principles for cultural and heritage tourism management, as for other forms of tourism development, should be to minimise the overall impact on the environment, to benefit the host community, and to be sustainable. The emphasis on the exploitation of the Zimbabwean scenery, heritage and culture to achieve short term tourism growth is forever misguided. Experience from other countries shows how inappropriate and uncontrolled development can effectively destroy the very assets on which the tourism industry depends. Thus, a policy of sustainable cultural tourism development is now seen by Meldon (1995) and others as the way of securing a viable future for the industry in Zimbabwe. 
It goes without saying that the goal in leveraging cultural tourism in not to increase the cultural tourist numbers at any price, but instead to prioritise higher spending market segments and extend the range and quality of cultural tourist products so as to extract high added value from the industry. There is need to balance between heritage and cultural conservation and development. 
Directions for Further Research 
The present study was conducted in Northern Zimbabwe only and investigated only the potential of cultural and heritage tourism using international and regional visitors; therefore, the findings are not generalisable due to such limitations.  Future research in this domain should extend the scope of the study to cover other regions in Zimbabwe. 
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 Corresponding author: Harare Polytechnic, Head of Division, Faculty of On Job Education and Training, P.O. Box CY 407, Causeway, Harare, Zimbabwe  Cell: +263 774 556 816;  HYPERLINK "mailto:elishawoyo77@gmail.com" elishawoyo77@gmail.com
 School of Tourism, Leisure and Hospitality Management, Harare Polytechnic
 Principal Curator, Museum of Human Sciences, Harare, Zimbabwe









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